Andamento: an old subject with a new twist.

Andamento is the visual flow and direction within a mosaic produced by the placement of rows of tesserae. (From: www.joyofshards.co.uk) 

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Leaves and fruit. Photo and mosaic: @Helen Miles Mosaics
Andamento – time for an update.
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Infilling detail. Photo and mosaic: @Helen Miles Mosaics

You might be forgiven for thinking that I am a bit of a traditionalist. Modern mosaics inspired by ancient designs has a distinctly tweed coat and brogues ring to it. And then there all my blog posts about ancient mosaics and precious few about their modern equivalents so really I wouldn’t blame you for being convinced that I wear knitted cardigans and have a deep fondness for Anita Brookner novels. But buried within this buttoned-up exterior lurks the heart of a rebel and when it comes to the subject of andamento in mosaics that rebel is chafing to get out.

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Cockerel. Photo and mosaic: @Helen Miles Mosaics

 

My andamento rebellion is one of those quiet ones that disgruntled children excel at. Not saying anything, perhaps. No screaming and slamming doors, maybe. But a pervasive presence and a body language that’s as clear as a siren that says whatever you have decreed is not well received and will just not do. You might not be able to see me but my arms are crossed across my chest, my shoulders are hunched and my bottom lip is protuding all because I feel that the opus-sayers, the shadowy figures who decide what is an opus and what is not, have apparently checked out and forgotten to turn off the lights.

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Eight easy steps to making larger mosaics on mesh

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Detail of fish mosaic splashback. Photo and mosaic: @Helen Miles Mosaics

Larger mosaics on mesh.

Part II of a two-part post on making mosaics on mesh.

Let me cast your minds back to February, 2014 when I wrote a step-by-step tutorial post on how to make a mosaic on mesh. Back then I was full of the joys of mesh and two years later I am still bursting with enthusiasm about the method. I love its versatility, and lightness and the way it solves the problem of making mosaics for faraway destinations, hard to reach places or awkward surfaces. It has all the advantages of the reverse paper method without the disadvantages of working in reverse.

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Installing the Unswept Floor Mosaic. Photo and mosaic: @Helen Miles Mosaics.

The original blog post laid out the method for making a small mosaic and now its time to think about larger mosaics on mesh. Over the months a few people (to whom I am eternally grateful) have written comments in response to the post and it’s clear that people are interested in the method but that the first post doesn’t go far enough –  so this post about larger mosaics on mesh is for all those mosaic makers out there who are ready to take off and tackle bigger, more ambitious projects. Continue reading

The Mosaics of Rhodes, Greece.

The Mosaics of Rhodes, Greece (or How Mosaics Should be Seen)

mosaics of Rhodes
Partridge feeding her chicks, 2nd century AD, Rhodes Archeological Museum, Greece. Photo: @Helen Miles Mosaics

The conversation went a bit like this:

D: There are some really good off-season deals on flights to the islands. Shall we go?

Me: Yes!

D: Santorini or Rhodes?

Me: (Inner musing: Santorini = the whole Greek thing. White washed houses set on cliffs over looking azure seas. Rhodes = mosaics)  Rhodes! 

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Mosaic floor, Rhodes Archeological Museum, Greece. Photo: @Helen Miles Mosaics

And so off we went one weekend to see the mosaics of Rhodes, Greece. As it happens, Rhodes is a perfect place to really see mosaics, not just the tarted up ancient variety which now hang on museum walls. Pebble mosaics, characteristic of many of the Greek islands,  are everywhere in the medieval town of Rhodes covering pavements, shop entrance ways, hotel foyers and cafe floors. What a delight! Instead of cranning your neck to see mosaics plucked from their original settings and displayed like works of art in hushed settings or having to lean precariously over a barrier to get a closer view of them at archeological sites, here they are all over the place. Neither revered or disregarded; they are just there. Continue reading

Making a mosaic hour by hour

The Lemon Tree Mosaic Project

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Me and the finished lemon tree mosaic before grouting. Photo and mosaic: @ Helen Miles Mosaics

This is a photo gallery showing the process of making a mosaic hour by hour.

Or: Why Kenyans make such good runners. 

If you were to ask me if I’d like to meet for coffee. you might notice a flicker of panic cross my face. Rest assured, the panic is not about the thought of spending an hour or so in your company. There’s nothing I’d like better. But my moment of hestitation will usually hide a rapid calculation as to whether that hour, short but infinitely precious, can be spared from my latest mosaic project. If I were to try and explain why an hour matters so much, I think you’d probably assume I was thinking of excuses or had become slightly unhinged. ‘What’s the big deal?’, I can almost hear you thinking. Surely, in the space of day with all the time it contains, I can spare one mingy little hour for a simple cup of coffee.

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Lemon tree mosaic design by Constantinos Gallis. Photo: Helen Miles Mosaics

Ordination of women in the Roman Catholic church

Behind the panic there is also an befuddled internal monologue in which I attempt to articulate the importance of that hour. But if I say it out loud, the words sound unconvincing and fall flat. So to circumvent the need to explain myself, I decided to keep a photographic record of a mosaic under construction. I wanted to show you what’s really involved in making a mosaic – not just the work in progress shots and photos of the finished piece but the nitty gritty of the whole process. Continue reading

Making Roman mosaic copies

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Copy of a Qasr Libya fish. Photo and mosaic: @Helen Miles Mosaics

Roman mosaic copies – why?

It’s not unusual for me to look at an ancient mosaic in situ or pore over the details of one hanging in a museum and seriously wonder if there’s any point in what I’m doing. Modern mosaics inspired by ancient designs. That’s me but, I mean, really? Why bother? Why go to the effort of doing my own designs when I could just make Roman mosaic copies? After all, the Romans have pretty much covered it: gorgeous colours, exquisite patterns, arresting designs, grandeur, domesticity, humour, tenderness, you name it, the Romans have done it mosaic-wise. Done it on a massive scale. Done it so well that thousands of years later we still admire their workmanship. It’s enough to make you feel like a paltry foot soldier, dusty and dishevelled, scampering to keep up in the wake of the mighty Roman armies.

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Central panel from the Basilica of Heraclea Lyncestis, Macedonia. Photo:@ Helen Miles Mosaics

And yet. There’s always an ‘and yet’. And yet when I surf the internet or click absent mindedly through social media, time and time again I am stopped short by modern examples of Roman mosaic copies. They keep cropping up: students’ copies of the famous fish skeleton from the Vatican’s Upswept Floor; multiple versions of Pompeii’s Cave Canem; endless backward looking doves perched on basins; gods and goddesses, peacocks, still lives, hunting scenes. It doesn’t matter that we are surrounded by dazzlingly fast high tech machines and can eat a pineapple for lunch which has been flown overnight from the other side of the world, Roman mosaics still have a firm hold on our collective imagination. Continue reading

Teaching Yourself Mosaics – Part II

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Pet portrait by self taught glass mosaic artist Christine Brallier. Photo and mosaic: @cbmosaics

Part II: Books, forums and experiments

(For Part I – my guide to online mosaic courses and tips please follow this link: http://helenmilesmosaics.org/mosaics-miscellaneous/online-mosaic-courses/)

This post is both a source of information about teaching yourself mosaics and a resounding bell-ringing shout-out. Since I can’t go to the top of a building with a megaphone it’s the next best way to say that self taught mosaic artists are one helluva inspiring bunch. Until I started a discussion about teaching yourself mosaics on Contemporary Mosaic Art I had no idea that there was a whole sub-category of mosaicists out there who have sat down and quietly and doggedly taught themselves everything they needed to know to pursue their artistic vision. Their work and dedication says much louder and clearer than I ever could that great things can be achieved, creative wonders realised, beautiful mosaics materialised without the help of classes or formal training.

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An early home experiment made during my mosaic class days. Photo and mosaic: @Helen Miles Mosaics

I can’t claim to be a self taught mosaicist myself as I attended weekly classes here in Greece with mastercraftsmen who specialised in the making of Byzantine-style icons. But I was frustrated by the limitations of the methods and approaches of the teachers (only the indirect method was used, no tessera could be larger than a match head, no spaces were allowed between the pieces) and went home and experimented. I read mosaic books and followed step by step projects, I endlessly visited ancient mosaics in museums and sites and I made an awful lot of mosaics which I am glad that I will never had to see again.

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An early indirect method mosaic made with glass, mirror and smalti. Photo and mosaic: @Helen Miles Mosaics

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Teaching yourself mosaics, Part I: Guide to online mosaic courses and tips

Online mosaic tips: free

teaching yourself mosaics
My sorely neglected hammer and hardie. Photo: Helen Miles Mosaics

There is no point in pussy-footing around so I may as well just spit it out: I don’t know how to use a hammer and hardie. Dear me, what was that? You falling off your chair? I dont blame you. To be a full time, full-on maker of mosaics inspired by the ancients, to be a mosaicist who uses stone and not to know how to use a hammer and hardie is, quite frankly, a disgrace. It’s not something I am proud of but I need to get it out there if I am going to discuss the topic of online mosaic courses.

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Some of my mosaic books for those teach-yourself moments. Photo: Helen Miles Mosaics

It’s not that I haven’t been shown how to use a hammer and hardie and it’s not that I don’t have one, I do, but it is gathering dust in the corner of my workspace and I rely on this gorgeous beast – a purpose made stone cutter – in its stead:

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Stone cutter. Photo: Helen Miles Mosaics

It’s a bit of a brute to look at and I can’t fling it in the back of the car, but it’s handy none the less and has allowed me to slip into bad habits – for years. However, I have recently taken the bold and exciting move of signing up for a three day master class with Dagmar Freidrich to be held in Edinburgh at the end of August and I need to learn how to use a hammer and hardie fast. And, thankfully for me, help is at hand – teaching yourself mosaics has never been easier thanks to short online videos offering mosaic tips and advice. Continue reading

Lime mortar master class in Edinburgh

Mosaic Inspiration: Lime Mortar Master Class*

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The Lime Mortar Method. Dagmar Friedrich of Spilimbergo. Photo: © mused-mosaik.de – Miriam Bastisch

I recently signed up for a lime mortar master class in Edinburgh and as I sat down to write about it, I felt a door gently click open. I left the writing and went back to my current mosaic project – a house warming commission of a tree; an oak for Ireland with roots winding around the frame for the roots of family.

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Sketch for house warming mosaic. Photo: Helen Miles Mosaics

And as I worked, ideas began to creep in through that open door. At first they were hesitant and kept their distance and then they grew bolder and came to lie at my feet. The simple act of signing up for a lime mortar master class to be taught by Dagmar Friedrich of Spilimbergo and Joanna Kessel of Edinburgh Mosaic Studios had let in a whole new world of mosaic inspiration.

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The Lime Mortar Method. Dagmar Friedrich of Spilimbergo. Photo: © mused-mosaik.de – Miriam Bastisch

As with all inspiration, however, the ideas had always been there, but they were translucent, hovering things which would occasionally try to land and take hold but were mostly batted away by current projects, domestic duties and more familiar, easier ways of working. But as I read what the lime mortar master class entailed, about the gathering of materials – of stones, marble, porcelain and glass, sea worn glass, ceramic and fireclay – and how I would learn to mould the lime substrate, to make it textured or smooth, and then take the materials and press them into the surface, the ideas began to grow larger, to gain substance and to gather around me.Lime mortar short3

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The early Christian mosaics of Delphi, Greece.

Delphi, Greece.
Cat enjoying the sun on the ruins of Delphi, Greece. Photo: Helen Miles Mosaics

Sometimes I feel blessed. Not just blessed, but blessed-blessed. In addition to the blessed of daily life which is more than blessed enough, I have the extra blessing of being able to walk out of the house, hop in the car and go see ancient mosaics almost on my door step including the early Christian mosaics of Dephi. Now, really, how blessed is that?

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Pattern detail. Dephi, Greece. Photo: Helen Miles Mosaics.

Here in Athens there are Byzantine churches with gloomy interiors and glittering mosaics within easy access, Corinth is a mere hour a way, it’s hard to enter a museum without encountering mosaics and even long boring journeys can yield unexpected delights of the mosaic variety. I don’t like to gloat but sometimes it’s hard not to feel that when the Gods were distributing their gifts they dropped an extra mosaic-shaped sackful just for me.

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Dedication plaque, Dephi, Greece. Photo: Helen Miles Mosaics

That’s exactly how I felt the day I went to see the mosaics of Delphi with my friend Angie. She was keen to revisit the ruins and I wanted to see the extensive mosaic floor which originally came from a late 5th, early 6th century church in the village of Delphi nearby but is now to be found outside the site’s archeological museum. I had seen it before on a family trip when small children, an elderly mother in law and a fierce sun had deterred us from lingering and this time I was intent on savouring it.

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Fish detail, Delphi, Greece. Photo: Helen Miles Mosaics

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