Mosaic bloggers and social media users I never miss
In this second part of my two part series on Writing a Mosaic Blog I am going to tell you about my favourite mosaic bloggers and social media users. The reason for doing so is three fold:
a) to celebrate those people out there who are already writing, sharing and enthusing about the mosaic world,
b) to call all mosaicists not already on social media to join up now! and
c) to mark my two year mosaic blogging anniversary by acknowledging other bloggers and social media users who have been an inspiration, font of knowledge and/or source of amazing photographs and information.
It wouldn’t be practical to name all the people who I regularly follow on various kinds of social media so this is not meant to be a comprehensive list. It’s more like a ‘selected highlights’ of some of the mosaic bloggers and social media users whose contributions have caught my eye over time and triggered a sense of gratitude, awe or both for their ideas, reflections and tips. There is, as you will see, a bias towards those who share my interest in Roman mosaics or who work with stone but I must stress that I also hugely enjoy the work of mosaicists working in other medium (see photo at top of the page). My list of mosaic bloggers and social media users isn’t necessarily the same thing as a list of fellow mosaicists whose work I admire (although it might be tempting at some point to write about them too) but it is just a way of calling attention to one part of the great mosaic community – the part that is willing to share whether it be their work, their photos, their trials and tribulations, their news, or just their sheer passion for this art (or is it craft?!) form. Continue reading →
Not so long ago I wrote a post about why I started making mosaics and called on everyone out there – fellow mosaic obsessives – to tell me what attracted you to the medium and what keeps you here, painstakingly cutting and placing, when you could be making big bold statements with fantastically coloured acrylics or stroking clay into marvellous shapes. Mosaics are limited. The palette is what it is – you cant stretch it out by adding a dot of this and a dab or that and mistakes once made are in many cases hopelessly irredeemable. The materials are often expensive, the time taken to produce even a modest work is ludicrous and the horror of being required to dump dollops of gloopy grout over your completed masterpiece is enough to deter all but the most committed. So why do we make mosaics? I told you why I do (a mixture of mosaic making being a compulsion which I cant control and the necessity of finding occupation in a new country with no language to express myself) and now it’s over to you….
Take a look at what I'm working on now by clicking on my Instagram icon below
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Helen Miles Mosaics
I learnt how to make mosaics with Greek masters of the craft in Thessaloniki and Athens who taught using traditional methods with a focus on Byzantine iconography. Later, I become fixated with Roman designs and now my aim is to preserve the simplicity and directness of early mosaics while creating pieces which suit our modern lives.