Coming to Greece in 2001 stripped everything from me: language, family, friends, work, culture, points of reference and sense of self. I arrived five months pregnant with two small children after my husband took a job in Thessaloniki, Greece’s second city, with the expectation of finding a cosmopolitan city where we could settle and I could find work. We put the children into a local Greek school so that they could learn the language and integrate. After a while, I went to the university to learn Greek myself and we threw ourselves into exploring the country.
I don’t know when or how the realisation dawned that our expectations of our new life in Greece were off kilter, but I do remember neighbours who wouldn’t acknowledge we existed years after moving in, struggling to entertain boisterous boys in a badly insulated house where it’s against the law to make any noise between 3 and 6pm, and feeling baffled by a school system which finishes at noon and depends on grandparents and paid help to fill in for working parents. I also remember one day curling myself into a ball in the corner of a downstairs room where I hoped no one would hear me and crying so desperately that it felt like retching. Continue reading →
There is no point in pussy-footing around so I may as well just spit it out: I don’t know how to use a hammer and hardie. Dear me, what was that? You falling off your chair? I dont blame you. To be a full time, full-on maker of mosaics inspired by the ancients, to be a mosaicist who uses stone and not to know how to use a hammer and hardie is, quite frankly, a disgrace. It’s not something I am proud of but I need to get it out there if I am going to discuss the topic of online mosaic courses.
It’s not that I haven’t been shown how to use a hammer and hardie and it’s not that I don’t have one, I do, but it is gathering dust in the corner of my workspace and I rely on this gorgeous beast – a purpose made stone cutter – in its stead:
It’s a bit of a brute to look at and I can’t fling it in the back of the car, but it’s handy none the less and has allowed me to slip into bad habits – for years. However, I have recently taken the bold and exciting move of signing up for a three day master class with Dagmar Freidrich to be held in Edinburgh at the end of August and I need to learn how to use a hammer and hardie fast. And, thankfully for me, help is at hand – teaching yourself mosaics has never been easier thanks to short online videos offering mosaic tips and advice. Continue reading →
I recently signed up for a lime mortar master class in Edinburgh and as I sat down to write about it, I felt a door gently click open. I left the writing and went back to my current mosaic project – a house warming commission of a tree; an oak for Ireland with roots winding around the frame for the roots of family.
And as I worked, ideas began to creep in through that open door. At first they were hesitant and kept their distance and then they grew bolder and came to lie at my feet. The simple act of signing up for a lime mortar master class to be taught by Dagmar Friedrich of Spilimbergo and Joanna Kessel of Edinburgh Mosaic Studios had let in a whole new world of mosaic inspiration.
As with all inspiration, however, the ideas had always been there, but they were translucent, hovering things which would occasionally try to land and take hold but were mostly batted away by current projects, domestic duties and more familiar, easier ways of working. But as I read what the lime mortar master class entailed, about the gathering of materials – of stones, marble, porcelain and glass, sea worn glass, ceramic and fireclay – and how I would learn to mould the lime substrate, to make it textured or smooth, and then take the materials and press them into the surface, the ideas began to grow larger, to gain substance and to gather around me.
Take a look at what I'm working on now by clicking on my Instagram icon below
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Helen Miles Mosaics
I learnt how to make mosaics with Greek masters of the craft in Thessaloniki and Athens who taught using traditional methods with a focus on Byzantine iconography. Later, I become fixated with Roman designs and now my aim is to preserve the simplicity and directness of early mosaics while creating pieces which suit our modern lives.
New blog post on contemporary mosaic innovators. 1. Samantha Holmes ‘Unspoken’ 2. CaCO3, Movement No 12 3. Detail from Rachel Sager’s Ruins Project 4. Dugald MacInnes, Xenolith. http://helenmilesmosaics.org/contemporary-mosaics/mosaic-innovators/