Sometimes I feel blessed. Not just blessed, but blessed-blessed. In addition to the blessed of daily life which is more than blessed enough, I have the extra blessing of being able to walk out of the house, hop in the car and go see ancient mosaics almost on my door step including the early Christian mosaics of Dephi. Now, really, how blessed is that?
Here in Athens there are Byzantine churches with gloomy interiors and glittering mosaics within easy access, Corinth is a mere hour a way, it’s hard to enter a museum without encountering mosaics and even long boring journeys can yield unexpected delights of the mosaic variety. I don’t like to gloat but sometimes it’s hard not to feel that when the Gods were distributing their gifts they dropped an extra mosaic-shaped sackful just for me.
That’s exactly how I felt the day I went to see the mosaics of Delphi with my friend Angie. She was keen to revisit the ruins and I wanted to see the extensive mosaic floor which originally came from a late 5th, early 6th century church in the village of Delphi nearby but is now to be found outside the site’s archeological museum. I had seen it before on a family trip when small children, an elderly mother in law and a fierce sun had deterred us from lingering and this time I was intent on savouring it.
When I made plans to go visit the Heraclea Lyncestis mosaics in Macedonia with Tessa Hunkin I was slightly concerned that the mosaics would play second fiddle. Tessa Hunkin is my mosaic heroine. In case there’s anyone out there who thinks you dont know her, you do. She’s the one that set up Mosaic Workshop in London’s Holloway in the 1980s with Emma Biggs. I bet you have at least one of her many books on various mosaic subjects from making techniques to garden mosaics and mosaic patterns. She won the 2014 British Association of Modern Mosaics Mosaic of the Year award for the Shepherdess Walk Mosaic that she created with the Hackney Mosaic Project and has designed and made a string of mosaics for public and private spaces which consistently make my jaw drop.
I don’t want to get carried away, but I think the Rotunda mosaics in Thessaloniki, Greece, might be it. It as in the beginning. Not the beginning of mosaics as we know them (that happened down the road at Pella), not even the beginning of Christian mosaics (although that’s possible) but the beginning of the use of mosaics in Byzantine architecture to dazzle and awe. If not the actual beginning, then as close as damn it, to the first use of gold and brilliance, of life like mosaic portraits, intricate architectural designs, soaring, glittering ceilings made to draw the eye upwards and induce a feeling of humble wonder at this earthly reflection of heavenly glory. Continue reading →
(formerly Athens, Greece)
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Helen Miles Mosaics
I learnt how to make mosaics with Greek masters of the craft in Thessaloniki and Athens who taught using traditional methods with a focus on Byzantine iconography. Later, I become fixated with Roman designs and now my aim is to preserve the simplicity and directness of early mosaics while creating pieces which suit our modern lives.