The moment came when I was stirring the porridge. The news was on, the kettle was boiling and I was standing in the kitchen trying to marshal the troops for school, get breakfast on the table and check Instagram at the same time. It was one of those moments you get in films when the screen goes wavy and a pony-tailed girl in a pinafore running down a garden path changes into a bent old woman walking slowly down an empty street. The moment came when this slid by on my phone screen:
A pavement mosaic in Brighton, England, 2016. A cheerful design of kitchen objects and fruit scattered across a surface- maybe a table or a work space. But press the rewind button and it’s an ancient Roman floor, circa 200AD. That casual photograph posted by talesofjude proves, if proof were needed, that ancient mosaics have remarkable staying power. It’s not just that some are still serving out their function as floor coverings while entire civilisations have risen and been reduced to dust but their longevity is more subtle, more insidious than that. Continue reading →
Many years ago, when I lived and worked in Egypt, I spent a week in the Cairo museum researching an article about it’s 100th anniversary. My apartment was close by and I would nip in through a side entrance bypassing the crowds and spend hours wandering through it’s musty, less frequented galleries. I was allowed to go into the conservation room and try on ancient pharaonic jewellry and I had all the time I wanted alone with the spookily alive Fayoum portraits.
Such delights are hard to forget but it was in the Tutankhamen exhibition that I remember having that feeling which ancient things can give you – of hopping over a barrier of time and seeing, not the objects themselves or their beauty or oldness, but the people who used and held them. It was the hinge of Tutankhamen’s folding bed that did it for me. A hinge: utilitarian, practical, simple and unchanged over thousands of years. No more or less a hinge than all the hinges we use in our daily lives. Never mind all that gold – it was the hinge that I loved. Continue reading →
(formerly Athens, Greece)
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Helen Miles Mosaics
I learnt how to make mosaics with Greek masters of the craft in Thessaloniki and Athens who taught using traditional methods with a focus on Byzantine iconography. Later, I become fixated with Roman designs and now my aim is to preserve the simplicity and directness of early mosaics while creating pieces which suit our modern lives.