It’s not unusual for me to look at an ancient mosaic in situ or pore over the details of one hanging in a museum and seriously wonder if there’s any point in what I’m doing. Modern mosaics inspired by ancient designs. That’s me but, I mean, really? Why bother? Why go to the effort of doing my own designs when I could just make Roman mosaic copies? After all, the Romans have pretty much covered it: gorgeous colours, exquisite patterns, arresting designs, grandeur, domesticity, humour, tenderness, you name it, the Romans have done it mosaic-wise. Done it on a massive scale. Done it so well that thousands of years later we still admire their workmanship. It’s enough to make you feel like a paltry foot soldier, dusty and dishevelled, scampering to keep up in the wake of the mighty Roman armies.
And yet. There’s always an ‘and yet’. And yet when I surf the internet or click absent mindedly through social media, time and time again I am stopped short by modern examples of Roman mosaic copies. They keep cropping up: students’ copies of the famous fish skeleton from the Vatican’s Upswept Floor; multiple versions of Pompeii’s Cave Canem; endless backward looking doves perched on basins; gods and goddesses, peacocks, still lives, hunting scenes. It doesn’t matter that we are surrounded by dazzlingly fast high tech machines and can eat a pineapple for lunch which has been flown overnight from the other side of the world, Roman mosaics still have a firm hold on our collective imagination. Continue reading →
The moment came when I was stirring the porridge. The news was on, the kettle was boiling and I was standing in the kitchen trying to marshal the troops for school, get breakfast on the table and check Instagram at the same time. It was one of those moments you get in films when the screen goes wavy and a pony-tailed girl in a pinafore running down a garden path changes into a bent old woman walking slowly down an empty street. The moment came when this slid by on my phone screen:
A pavement mosaic in Brighton, England, 2016. A cheerful design of kitchen objects and fruit scattered across a surface- maybe a table or a work space. But press the rewind button and it’s an ancient Roman floor, circa 200AD. That casual photograph posted by talesofjude proves, if proof were needed, that ancient mosaics have remarkable staying power. It’s not just that some are still serving out their function as floor coverings while entire civilisations have risen and been reduced to dust but their longevity is more subtle, more insidious than that. Continue reading →
(formerly Athens, Greece)
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Helen Miles Mosaics
I learnt how to make mosaics with Greek masters of the craft in Thessaloniki and Athens who taught using traditional methods with a focus on Byzantine iconography. Later, I become fixated with Roman designs and now my aim is to preserve the simplicity and directness of early mosaics while creating pieces which suit our modern lives.