sandy brown

Contemporary mosaics – learning lessons from ceramics

Part II of a three-part post on mosaics and contemporary art.

‘Ceramics have moved away from utilitarian pottery into a much wider realm… It’s not about craft but about making a new kind of object,’ Medeleine Bessborough, art dealer.

contemporary mosaics
Hattori Makiko, Waiting to Hatch. Photo: @Joanna Bird

Learning lessons: Contemporary mosaics and the world of ceramics.

Part One of this post on contemporary mosaics pointed out the seemingly obvious –  mosaics might create images, patterns and moods but they are not paintings. Mosaics are born of function, rooted in history, and pixelated by necessity and when thinking about the place of contemporary mosaics in the art world they must be understood and responded to on their own terms. The fact that mosaics are made up of collections of things or bits – precious or rubbishy, purpose made or found, artificial or natural – is a fact that defines them. You can’t ask a mosaic to be other than what it is.

I dont care what my label is – potter, ceramicist or artist – I want to put another layer onto history.’ Chris Antemann, artist.
contemporary mosaics
Sandy Brown, Temple at Chatsworth.  Photo: @www.joannabird.com

In times not so very long past, that meant (bizarrely) that mosaics were relegated to a lesser category of creative endeavour. The slipperly. wriggly, elusive thing that calls itself Art might have become ever more elastic in recent decades but somehow mosaics (or at least mosaics which called themselves mosaics) never quite made it. Continue reading

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