Musings on the use of andamento in mosaic faces

I’ve been thinking a lot about andamento recently, about the lines of tesserae from which all, or almost all, mosaic creativity springs. Straight lines, curved ones, long drawn out tapering ones, lines which twist and writhe, ones laid for emphasis, others to distract attention. Without lines a mosaic is not …

Seeing eye to eye: ancient mosaic faces (and one of my own)

You know what it’s like. I know you know. That moment when you open the oven and find your lovingly prepared cake has failed to rise, peer into the washing machine to discover the white wash has turned an alarming shade of pink, or herd a bunch of fractious children up a hill in the sizzling …

So many pieces, so much time: a mosaic explained.

How many tesserae does it take? There we all were sitting around a day or two before the wedding chatting about this and that. We might have been doing our toes at that particular juncture or pouring out another bottle of wine as we happily anticipated the Scottish-Palestinian wedding on a Greek island. When …